2011 Music | Top Ten
2011 Music | Top Twenty
12. little hurricane, Home Wrecker
13. Beastie Boys, Hot Sauce Committee Part Two
14. TV on the Radio, Nine Types of Light
15. The Roots, Undun
16. Adams & Eves, Dear Professor
17. La Vida Boheme, Nuestra
18. The Tree Ring, Generous Shadows
19. Mariachi El Bronx, II
20. Thrice, Major/Minor
2011 Music | Overrated
2011 Music | The “I Salute You, Sir” List
2011 Music | Local Love
San Diego remains a vibrant place for good music. Some of favorite bands of all time come from America’s Finest City... And, no, I’m not at all biased. But this year, Adams & Eves, The Tree Ring and little hurricane are the only San Diego bands on my list. Much of this has to do with the fact that I’m a dad of three. I just don’t get out to as many shows as I used to, unfortunately. But these albums are solid and stand solidly with the others on my list. Adams & Eves’ Dear Professor is smart, cute--even silly, and brilliant. Okay, I confess my bias, here. The Powell’s (Adam plays guitar and sings, Chelsea plays bass) are friends and Adam recorded the Snake Babies EP (a short-lived band I played in). But my personal connection aside, this is a great album! Amongst all the folk-tinged music coming out these days, Adams & Eves do so in a unique way that does not take themselves too seriously--which makes all the more enjoyable. Like so many artists, it is their live show that wins you. They are all together original, energetic and witty when playing live. The album is solidly produced, displaying all of the unique instrumentation this band holds. You can check out the album on their website. The Tree Ring’s Generous Shadows offers up beautifully sad soundtrack. Ironically (as they are a band from sunny San Diego), they are to me the band perfect for a rainy day. West has a solidly good voice. I think his is what Foreman of Switchfoot fame wishes he sounded like. And Bennett’s strings add so much to the emotion of each track that I don’t what it would sound like without them. You can listen to their album on the band’s website.
Lastly, little hurricane’s Home Wrecker is the roots rock album we’ve all been waiting for. Jack White, take note: this is what happens when you have a decent drummer. This is some sexy, gritty music! Both players sing wonderfully and play well. You can check out Home Wrecker on Spotify.
guest music post: Luke Perkins
- Flying Burrito Brothers: Burrito Deluxe. Graham Parsons and the Burrito Bros. make THE soundtrack to the mojave desert and Joshua Tree.
- Patti Smith: Horses. Just Kids was also the most memorable book I read this year. Very cool insight into the 60-70s music and art scenes in New York.
- Ibrahim Ferrer: Buena Vista Social Club Presents. Finally saw the movie this year. I'm looking forward to that roadtrip to Cuba.
- Sex Pistols: Never Mind the Bollocks... I will always think of driving thru Texas hill country when I hear this; makes sense, right?
- Television: Marquee Moon. You've heard this band even if you don't think you have; their sound influenced many that followed.
- Ali Farka Toure: The River. My first foray into African guitar music, which was a big part of my 2011 (following this would come Bela Fleck's movie Throw Down Your Heart, Tinawiren's new album, and Khaira Arby at SXSW).
- John Coltrane: A Love Supreme. Second step in jazz education, after Miles Davis+Dogfish Head Bitches Brew in 2010.
- Elvis Costello: Armed Forces. What IS so great about peace, love and understanding?!
- Fugazi: 13 Songs. A favorite of Jason and also my boss Mark (who's band actually opened up for Fugazi in Flint MI back in the 80s). Finally ventured there and it was worth it.
- Adam & the Ants: Kings of the Wild Frontier. Gotta listen to these guys more.
- Primus: Pork Soda. A Refshauge family classic. Wicked bass and themed on the excess of Americana. Scary title for even the most pragmatic of vegetarians.
- Joy Formidable + WILD FLAG + Tune-Yards + Antlers + Colin Stetson + Khaira Arby @ SWSW (with Grant): last-minute business trip led me to Austin right in the middle of SXSW--I promise it wasn't planned! Grant took a long lunch and joined me at the NPR showcase for a series of free shows. Being there at this mecca of indie rock and up-and-comers was a dream come true, and I'm super grateful to Grant for helping to make it happen. It's no coincidence that several of these bands made my final year-end list. Ritzy from JF writhing on the floor, banging on her pedals, swinging her guitar = #1 show.
- Okkervil River + Titus Andronicus @ Belly-Up (with Alix, Matt/Brooke): best double-bill of the year; was totally surprised by Okkervil's energy, and Titus did not disappoint..
- Dodos @ Casbah (with Alix, Matt/Brooke): most hipsterish show of the year, but despite that a favorite; never-ending guitar solo with dude wallowing on the floor for about 10 min was quite memorable.
- Wye Oak @ Casbah (with Alix): powerful and surprisingly nerdy duo with good melodies and powerful chords.
- Bon Iver @ Spreckels (with Alix, Matt/Brooke, Lars/Bethany): beautiful venue with very tight seats for long legs. Big band, big sound, and big changes for Justin Vernon & co. They pulled it off. Favorite moment was Re:Stacks...closest I came to crying at a show this year.
- F****d Up @ Casbah (with Matt): my first hardcore show. Fun. Last minute tickets for both Matt and I to blow off some steam. Matt also left with bloody toes. Lesson: don't mosh barefoot.
- Devotchka @ Belly-Up (with Alix, Matt/Brooke): danced my face off to the siduki and trombone.
- TV on the Radio @ 4th & B (with Alix): strong show in a not great venue. Sound was the worst of any show this year--muffled and way too loud. A little sound engineering please! A lasting memory is Dude throwing his double-jointed arm around like a nunchakus, like he just didn't care.
- BB King @ Belly-Up (with Alix and work friends): the man, the legend, in a great intimate venue. He's 73 or something, and obviously not as sharp, but it was amazing to experience him live.
-2. Explosions in the Sky @ SOMA (with Alix): didn't really know these guys, but thought I'd like them, and still think I would. But SOMA is a horrible venue, and they were destructively loud. We forgot our earplugs in the car, and after three exceedingly painful 3 songs we bailed. Opportunity costs... Third, ALBUMS. I love albums. Whole albums. The flow, the cohesiveness, the intentionality. Shuffle is fun sometimes, but mostly I listen to whole albums, front to back. In 2010, inspired by Alix, my cousin David and the general desire to be more "analog" I went vinyl.
This year we continued this trend, which was complemented by NPR's First Listens, and Spotify. I'm a firm believer that you get way you pay for, and if you value or cherish something you should pay for or invest in it (money is not necessarily the only currency here, but that's another topic). Picking this year's favorites was especially hard with a lot of good music. I hate leaving some off the list, but you gotta make hard decisions in life. Worth noting is the unusually large number of females on my list this year...coincidence? There were lots of surprise bands in here for me too: at the start of the year, 5 of these I could've predicted with the rest totally from out of the blue, including 4 out of the top 5. Without further ado, here is my list of favorites.
- Joy Formidable: The Big Roar. Could not stop listening to this, it was on repeat in the car, at the office, at home; worked for just about any mood. I saw them 2x live. My favorite album and my favorite shows. Period.
- The Dodos: No Color. Their best album, in my opinion, after a middling second one. Start to finish greatness. Banging rhythms, infectious licks, shouting, melodic singing, grungy guitars. Heck yeah.
- Wye Oak: Civilian. When Alix pulled a record out for us to listen throughout the year, it would more often than not be this one. I was never disappointed when she did. Could easily be #1 in some years.
- WILD FLAG: Wild Flag. Strong women, strong tunes. If Alix were playing guitar in a band this would be it. I just can't figure out if she's more the style of Mary Timony or Carrie Brownstein.
- Kathryn Calder: Bright and Vivid. Poppy and artistic (yes it's possible FM radio people). Loved the sounds and layers in this album. A good stand-in for Neko and New Pornographers this year. Rarely tired of this on repeat.
- Bill Callahan: Apocalypse. Smart, folky, rocky, chill. This guy is always under the radar but I consistently love his stuff. Don't spoil my little secret. (Not on spotify, but here's a pretty cool video for your pleasure.)
- Tune-Yards: W H O K I L L. Eclectic and surprisingly fun.
- Bon Iver: Bon Iver. That cabin in the woods is long gone. Love it or hate it. Big amazing sounds. I have no problem with evolution.
- Stephen Malkmus & the Jicks: Mirror Traffic. The godfather of indie rock remains a uniquely talented artist. His best work since Pavement?
- St. Vincent: Strange Mercy. Really jonesing to see her live. If Alix had said "no", Annie Clark would've been my next choice (until Neko puts out another record). Good thing Alix said yes.
- Alexi Murdoch: Towards the Sun. Spent hours listening to this on the couch with Alix after moving to San Diego--great memories of our first days of marriage, mancala games...and boxes everywhere.
- TV on the Radio: Nine Types of Light. Catchy record, slightly less loved than their previous outings. But still pretty darn good.
people profile: Matt Reece
Yes. I played water polo and swam, so grew it out off season, during the summers of my Jr. and Senior year. Basically looked like a long hair, bearded, grungy hippie surfer type… scary I know!
What’s your earliest music memory?
My earliest music memory is from being really sick as a child. I had to be in the hospital a lot. One of the only things that would calm me down is singing. The song that worked the best? ‘Amazing Grace.’
My next memory would probably be as a kid listening to AM gold radio on headphones, under the covers at night. This eventually led to my first concert… The Beach Boys (after a Padres game), when I was 9 or 10 years old.
You’re not only a music fan but a musician yourself. Tell me a little about your background as a musician.
I play guitar and sing, as well as write songs. I started in music pretty early, taking keyboard lessons and playing violin. But I wanted to play rock and roll, so guitar it was!
I got really involved in music in church. For a few years I was a music/worship leader, and spent most of college, at Point Loma Nazarene University, in touring choirs.
Then, what started as basically a garage band with my brother and a friend became a full-fledged band called Via Satellite. We played sorta dreamy, melodic indie rock, starting back before that was ‘cool.’ I feel like it took a few years for people to get what we were doing… but we played out a lot, developed a bit of a following, recorded several albums, and eventually even received a San Diego Music Award. Most of the band has gone on to be ‘rock stars’ and tour the world, most notably with Sub Pop band The Album Leaf. I chose a more simple life I guess! Since then I’ve played in the SD acoustic scene, and done various other things.
These days, it’s just me and a guitar… but I still play, and hope to have a new recording out there in the not-too-distant future.
I have lots of great stories and memories from music… shows big and small, and playing with some amazing musicians, even guys from bands you might have heard of (like, Mortal and Megadeth).
If you could jam with anyone, who would it be?
Hmmm… maybe, mid-sixties Dylan. I would love to just be in the room with him when he was writing those songs. Or I’d rock out with ‘London Calling’ era Clash, or maybe late 70s Elvis Costello and the Attractions.
In what ways does your musical interest or identity as a musician cross paths with your faith and identity as a faith leader?
For me, there are so many intersections between music, faith and leadership. As a spiritual leader, I want to be an artist. There are skills that come from the business world that one definitely needs. But a big part of leadership, for me, is being able to articulate the heart of a people, as well as creatively look forward to where we need to go. Now we’re heading into the territory of poets, artists and musicians. And this is what the prophets of old did; they used poetry and symbols to call the community of faith into a preferred creative future.
And on another level… I remember when I was a kid in the 80s going to see a punk rock band, and my Mom being a bit nervous. But when she picked me up, she was so surprised to see all the kids out front, peacefully hanging out and talking with the band. Music, for me instinctively was something I wanted to not just observe, but try and do. And some of the indie bands I loved showed me this was possible. They tried to break down the walls between the ‘artist’ and the ‘audience.’ The history is well documented here.
So when I picked up a guitar, I almost immediately started writing music and started a band. This DIY aesthetic has carried over into how I try to live my life and lead a community. What we need, now more than ever, are communities that draw from the DIY punk rock aesthetic. The culture of mega-churches with big budgets run by big celebrity personalities, is not only unsustainable, but has basically plateaued in impact. No more passive religious observers at a big ‘glam rock’ stadium show, instead we need people passionately participating in their local ‘scene,’ like the old school indie rock stuff.
Tell me about Blvd. Abbey.
We are a faith community in the University Heights/Uptown San Diego area. We’re called Blvd Abbey, because the area we’re in has a big vintage neon sign that says ‘The Blvd.’ And an abbey is a spiritual community that centers itself around intentional common spiritual practice. We respectfully borrow a bit from that tradition, and want to help people all across the spectrum- from those who are spiritual seekers, to those who strongly resonate with the Jesus story- to be shaped by spiritual rhythms and practices that lean towards God, and God’s beautiful dream for the world.
We are small and very relationally structured, and believe faith community should happen ‘from the ground up.’ And we want to be a community that cares about our neighborhood and city. We try to find simple/do-able ways to partner with the good that is already happening, as well as embody God’s love and grace where there is need.
We are connected with a unique church planting network called ‘Churches for the Sake of Others (C4SO).’ C4SO has started communities all up the West Coast and beyond that are; rooted in Anglican tradition, and both spiritual formation and missionally shaped.
Why did you want to start the Abbey?
A few friends and I started dreaming together, and they said ‘if you start something, we’ll join you.’ And it just kind of grew from there.
I have seen several things that we, as the church, have yet to truly take seriously: 1. Creating space for real community, 2. Spiritual formation (as a community, not just individually!), and 3. Seeing ourselves as a tangible expression of God’s love and mission in our neighborhood. So, for me, Blvd Abbey is really an experiment in community… trying to take all of that seriously, and start there- structure a community around that- before all the stuff people think of as ‘normal’ church.
What are your dreams for the Abbey?
My hope and prayer is that we continue to do what we’re doing, and grow that even deeper, while building sustainable community.
Ultimately I would love to be a community that holds two things in tension… First, to be a community that at it’s core is made up of ‘urban monastics.’ Though we don’t all live together, we all live in and care for the same area, and see all of our lives- work, play, relationships, compassionate action, creative endeavors- as spiritual and connected to a larger story. And secondly, I’d love to be a community where we interact and build friendships with those who aren’t people of faith, and they say, ‘that community really, genuinely cares.’
I would eventually even love to be kind of a formation/training center. To create space where leaders, or potential leaders, from other places can come for spiritual re-centering, to experience life in the city or how we do community, and maybe learn some practices they can take back with them.
How can people find out more about Abbey or get involved?
To find out more about us go to blvdabbey.com.
Join us on Facebook.
Every once in a while I post on our blog.
guest music post: Matt Reece
2010 was a big year for music. Off the top of my head I could easily list half a dozen amazing albums… from the hardcore punk classicism of Off!, to the beautiful songs of Frightened Rabbit, the tension groove of Spoon, the strange beauty of Deerhunter, the noise pop of Sleigh Bells, and soul and hip hop by The Roots and Kanye. This year… maybe it’s my mood, or maybe I wasn’t listening as well, but it was a little harder to choose. Looking through my Itunes and Spootify playlists however, several stood out. Here’s my top ten, in no particular order.
1. The Dodos- No Color
Just two guys, guitar/vocals and drums. Featuring tight junkyard African influenced rhythms. And for guitar players, listen closer, there’s some good stuff going on. The musical interplay between these two here blows me away… And all of this with (most importantly) great melodic indie/punk songs. If my list were in order, this might be right where it is now, at the top. 2. David Bazan- Strange Negotiations
I’ve been a fan since the early Pedo the Lion days. His last album was a ‘break up with God’ masterpiece. This one is a bit rawer and more striped down, and a few songs remind me of Pedro. Great lyrics paired with Neil Young meets Fugazi music. Bazan playing with just an acoustic guitar, in front of a select few at The Habitat House, was one of the shows of the year for me. True story: several years ago I had Thanksgiving dinner with David and his extended family… I remember talking about both of our favorite recent movies (Memento and Magnolia, so that will date me!). 3. Radiohead- The King of Limbs
I’ve been a Radiohead fan from back in the day, and seen them live several times. I have to admit, this is one of the first Radiohead albums that was a grower. But King of Limbs has been slowly unraveling for me, revealing it’s dark slinky beats and even some left-of-center yet tuneful songs underneath (like ‘Little by Little,’ ‘Codex,’ and ‘Give Up the Ghost’). 4. Ry Cooder- Pull Up Some Dust and Sit Down
Protest album of the year, including the protest song of the year, ‘No Banker Left Behind.’ Rootsy Americana spiced up with Vaudeville, and Tex-Mex flavors. With great guitar (this is Ry Cooder, after all) and a soulful carnival barker voice, Cooder comments on the state of the nation in 2011. From bank bailouts and economic disparity, to immigration and war, it’s all here. But this is no mere political lecture… or if it is, it is the most passionate and fun I’ve heard in a long time. 5. Thao & Mirah- s/t
Two solo artists come together, and it works surprisingly well. Great grooves and I dig the vocal interplay.6. Wilco- The Whole Love
It’s Wilco, what can I say? Their albums usually end up in my top 10. At this point, you either like ‘em or you don’t! ‘The Whole Love’ seems like the distillation of their last several albums in one: Folky, melodic, experimental rock. Except this time I hear more of the Beatles influence coming out. And if you haven’t caught them live yet, probably one of the best live bands in America, no joke. 7. F****d Up- David Comes to Life
In a year where I’m hard pressed to name many albums that really RAWKED me (and no kids, the Foo Fighters don’t count), the band with the name you can’t say on the radio did just that. I thought their last album, ‘The Chemistry of Common Life,’ was a genre game changer. Their latest has some story line that I can’t really follow, but it doesn’t matter. These guys are post-hardcore punk geniuses; mixing buzzsaw-yet-often-layered-and-ethereal guitars, an amazing time signature bending drummer, with shards of glass shredded vocals by a shirtless angry bald guy. In my alternate universe, this is what people would mean when they say ‘pop punk.’ 8. Mariachi El Bronx- II
A hardcore band that plays Mariachi music?! Way better than you think it would be. This album was one of my top summer jams. Saw them live, and they’re just as fun, dressed in legit Mariachi outfits! If you like this, then check out their last one too. 9. Dead Rock West- Bright Morning Stars
Former San Diegan (Loam) Frank Lee Drennen and spouse Cindy Wasserman (yes, sister of renowned bassist Rob Wasserman) conger beautiful, sparse, Americana rock. Most of these are old country gospel tunes and spirituals re-imagined by the band, with a few of their own, and even a Jesus and Mary Chain cover (‘God Help Me’) thrown in. This was produced by Peter Case of The Plymsouls, features both John Doe and Exene from legendary punks X, and great vocals and harmonies from Frank and Cindy. Full disclosure, my old band played a show with these guys, and Frank recorded some amazing harmonica on one of our songs… so I may be biased, but still, I dig this album. 10. Kurt Vile- Smoke Ring for my Halo
Smoke Ring for my Halo is a beautiful, strange haunting-yet-joyful (sorta) low-fi masterpiece. This is great late night ‘chill’ music. Maybe Kurt Vile’s most fully realized album yet.
Honorable MentionThe Roots- Undun
Just recently released, so haven’t really had time to hear all of it yet. But the Roots are a consistently amazing band, they always deliver. The Violet Burning- The Story of Our Lives
Over twenty years into his music career, Michael Pritzl comes out with an artistic-statement-making triple album! Still doing what he does really well. Action!- Friends Weakend
This is technically a 2010 release, but not enough people are into them yet, so I’ll include it here. This husband-wife duo makes great dreamy, melodic, lo-fi indie-rock, with killer harmonies and creative arrangements. One of their best songs, ‘Sandpiper,’ is free on bandcamp, but I love the whole thing, and even have it on vinyl. Support (real) indie bands… go buy their music!
Waiting for the (un)King: Advent Week Four
While we wait, we prepare.
This last Sunday's Advent readings have a lot to say about houses. There is an over-arching sense of preparation; getting our "house" prepared for what is to come.
We love having people over at our house. My wife is an incredible cook and we really enjoy getting to know others over meals in our home. But with three kids and a busy schedule, whenever we do host people we usually spend a couple hours cleaning up the messes we've spent all week making around the house! While we wait for our guests, we prepare for them. But sometimes when we rush and fuss over things we find it difficult to unwind, decompress and really present to our guests once they arrive. Have we then prepared appropriately?
The scripture readings seem to allude to something like this as well. We are to be making things ready for the arrival of the King. Yet, in our anticipation do we prepare the right things in the right way? All throughout these reflections, I've pointed out that the (un)King comes in unexpected ways, in unexpected places. This naturally means that Christ comes with hopes different than what we may have anticipated. Does he come looking for splendor and magnanimous reception. Nope. Read the story as told in Luke 2.8-18. His Father brings those things to the party. Not us. Rather, he comes to those that have prepared through the practice of humility and availability. Maybe not intentionally or desired. Certainly, shepherds probably would've preferred less humble and mind-numbing work. But these are who had prepared, who were ready.
What does preparing our "house" mean, then? Maybe it means we cease comparing ourselves, our house, to everyone else's and be the house of our own that we are. Throughout these Advent readings from Sunday, scripture does not concern or compare itself with other houses. Rather, it is concerned with preparing the home through which God will commune with his people. In a rushed and hurried culture, in an even more frenzied season, maybe it means we slow down, make space and practice availability. Maybe it is then that we will truly be able to notice, to appreciate, the coming of the King we await.
In your anticipation this week, practice availability and see how God arrives.
1st single from the new Sleigh Bells album
Below is the first track to be released from the upcoming Sleigh Bells album Born To Lose. What do you think? Our house is divided. The first Sleigh Bells album had us all hooked; a family fav'. Paige and I aren't that into this track and hope the sophmore release has a lot more to show. Matt likes it but he admits to just liking it because its Sleigh Bells. Paige and I think he likes it because of how "metal" the track is... and Matt's a complete hessian-in-training.
what we can learn from occupy « dontbesheep
There’s something to be learned from the Occupy Movement for people in leadership across organizational types and sizes. There is something about this movement that speaks to postmodern milieu of the West. But it is not limited to the west at all. Indeed, the occupy movement certainly derives some inspiration from the Arab Spring, as well as what we’ve seen online through groups such ‘anonymous.’ The way we organize is changing. What I’ve referenced to above may be drastic examples. Still, leaders ought to pay attention to them and what they say about leading organizations of the future.
Some further thoughts of mine on the Occupy Movement can be found in this excerpt from my latest contribution to the Don'tBeSheep.com blog. Read the rest here.
Read my initial post on #occupy here.
the devaluation of music
Radiohead and Spotify are busy teaching us that, as consumers, we aren't responsible for compensating our artists. In fact, we're being conditioned to feel inherently entitled to the fruits of their labor.
Interesting article on the impact of de-commodification of music.
What do you think?
out and about, come say "hi"
- January 12 - Horizon Christian Academy High School | speaking at chapel on homelessness in San Diego
- January 13-15 - First Pres' Senior High Winter Retreat | guest speaker (theme: Being A 'Sent' People)
- January 28 - San Presbytery Leadership Day | workshop w/ friends on church and social media
- February 10 - San Diego Episcopal Diocesan Convention | workshop w/ friends on evangelism
- February 11 - HAT Training w/ Presbyterian Urban Ministries
- February 16 - commencing 6-week class on evangelism at First Pres'
Waiting for the (un)King: Advent Week Three
NOTE: Sorry for being 24 hours late this week. Yesterday was... full.
Like most of the passages read during Advent, there is something about them that says, "Something good is coming!" Indeed, that is certainly the case. But He who is to come, comes in the most unexpected of ways. And He comes with expectations upon us that often are unexpected as well.
One of the readings this week is from Psalm 126. It cries out for restoration. Restoration of what, though? The psalm longs for the restoration of fortunes. Uh oh. Is this some kind of "health and wealth gospel" nonsense? Are the people of Israel, in this prayer, asking God to secure a certain lifestyle for themselves?
I don't think so.
In verses five and six it reads, "Those who sow with tears will reap with songs of joy. Those who go out weeping, carrying seed to sow, will return with songs of joy, carrying sheaves with them." This psalm is prayed by a people longing for basic sustenance. They walk with seeds out to the fields prepared for famine. But they long to feed their people.
This isn't an individual thing. This is a communal thing. Those who prayer this long for the sustenance of their people, not just themselves. But while the need is for the whole, it is neither the whole nor the individual that provides what it is needed. This prayer (for that is what this psalm is) is prayed next to the reading of Isaiah 64 in which God brings justice to the weak and broken. (Jesus would later read this same passage from Isaiah in a synagogue to commence his ministry.)
The people of God, here, realize that they cannot bring the restoration needed on their own. Only God can. Certainly, they are to participate in his justice, his mercy, his restoration. But they know that it cannot be done without God.
Thus, in the end, Advent is about a kind of waiting that is reflected in how we live. We Christians do not seek our own benefit, we consider--and prayer for--the whole. And this is reflected in how we live. Our fortune are not for the benefit of one but for the sustenance of the whole. In so doing, we reflect our hope. A hope in a Savior that will restore all things and not just the little we can do in our life time.
So, this Advent may your waiting be reflected in your living... in your lifestyle.
guest music post: Alix Refshauge
Music has always been an integral part of my life. It’s been a huge bonus to be married to a man who approaches listening to music with as much passion and dare-I-say pride as I do. A big part of our relationship has been about discovering and listening to music together. While music has always shaped my life, it wasn’t until I met him that I started making playlists. What a great way to reflect on the year and to intentionally reconnect with the music that makes up our annual soundtrack.
Like my overall lifestyle, my way of finding new music has changed. In the past, I relied on one of the greatest listener powered radio stations in the US to find new music. WNCW out of Spindale, NC offers some of the most diverse and quality music programming I’ve come across. I would listen at home, at work, in the car, and after hearing a song that caught my attention, I would track down the artist to hear more. I’ve found that I only stream WNCW now when I feel sentimental. Instead, I often turn to NPR.org and see what they’re promoting as a first listen. It feels like less of a discovery somehow. Another big change has come thanks to Spotify which has enabled a lot of desired listening and discovery, especially during roadtrips.
I don’t want to dwell on 2010, because this post is about 2011. But, I believe that a very important tradition was born in 2010 when I made my first end of the year and decade playlists and my husband and I listened to these songs on our Christmas roadtrip. He was living in SD but flying to Mississippi to see his family. The plan was for me to drive to Mississippi to see them and then for the two of us to drive back to SC together. The roadtrip was 8 hours, filled with songs that made up our 2010/decade playlists and the stories to go along with them. It’s a great way to hear stories about someone you might not otherwise, and to get to tell a few of your own.
Now, back to 2011. After getting married in January, we packed up my house in SC and my husband and I drove to SD. It was a four day trip and we planned an epic soundtrack for the drive. Our approach was to each choose four albums (one for each day on the road) by an artist who we wanted to get to know for some reason. The artists/albums had to be new to us and something that we thought the other hadn’t heard either. We’ve been on several roadtrips throughout the year and have continued this tradition - one new album per person per day on the road. We toss the album names in a hat and draw to see what we listen to next. We’ve discovered artists who we love and have learned about the time and places they were making music. It’s been a music education and one I hope we continue throughout the years.
Now for my playlists, (lists because I’m gonna give you two): my 2011 new releases playlist and my pre-2011 music education/roadtrip playlist. I’ll keep it to a couple sentences each for why they made the list and hope if you’ve read this far that you’ll be able to continue to the end. Now, without further adieu...my playlists for 2011:
2011 Releases Playlist
10. Kathryn Calder, Bright and Vivid. NPR find. This is a solid album all the way through - dreamy, campy, melodic. A good drive-down-a-country-road album if you like that sort of thing.
5. St. Vincent, Strange Mercy. Vinyl purchase. I like this whole album, every single song. The songs are fun, lyrics are catchy, and its a bonus that St. Vincent shreds like its her job. Which, I guess it is.
Music Education/Roadtrip Playlist:
10. Sex Pistols, Nevermind the Bollocks, 1977. Alix choice SC to SD roadtrip. This was our first introduction to UK punk rock and the overwhelming influence of this band. Johnny Rotten lives up to his name.
Her new artwork at: www.alixart.tumblr.com
And if you still want more: www.boccimomma.tumblr.com
2011 music






















