2011 Music | Top Ten

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1. Tune-Yards, W H O K I L L
2. The Dodos, No Color
3. Pygmy Lush, Old Friends (listen link)
4. F****d Up, David Comes To Life
5. Thao & Mirah, s/t
6. St. Vincent, Strange Mercy
7. Radiohead, The King of Limbs
8. Battles, Gloss Drop
9. Colin Stetson, New History Warfare 2: Judges 
10. Trash Talk, Awake

You can listen to my top ten and twenty on Spotify here. Discover all of these if you haven't so far. Listen and see why they're on the list!

2011 Music | Top Twenty

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11. Los Campesinos, Hello Sadness
12. little hurricane, Home Wrecker
13. Beastie Boys, Hot Sauce Committee Part Two
14. TV on the Radio, Nine Types of Light
15. The Roots, Undun
16. Adams & Eves, Dear Professor
17. La Vida Boheme, Nuestra
18. The Tree Ring, Generous Shadows
19. Mariachi El Bronx, II
20. Thrice, Major/Minor

Festivities are getting underway. Further commentary is only a possibility at this point. But here is my Top 20 song list on Spotify for your listening pleasure. 1-10 still yet to come.

Paige working on a self-portrait


Taken at Hawthorn House

2011 Music | Overrated

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Dear Bon Iver, please take your falsetto and go away. It works for TV on the Radio most of the time. But not for you. Gayngs was cute. But we already lived through Kenny G and Miles Davis’ face says it all.

This may be to the chagrin of my friends, as the latest Bon Iver release has shown up on so many lists here. But I hope we are spared from any Bon Iver releases in 2012. I don’t get the hype. No more, thank you very much.

2011 Music | The “I Salute You, Sir” List

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There were three releases that came out this year that didn’t make as many lists as I would have thought. To be honest, I was a bit shocked they didn't show up as often and by the "meh" commentary offered when they did. Beastie Boys, The Roots and Radiohead all released great albums this year. The Roots' Undun came out so late in the year that many felt they didn’t have enough time to absorb it and therefore excluded it. Beastie Boys' Hot Sauce Committee Part Two showed up on few lists that I've checked in on and didn't even receive mention of any kind. Radiohead's The King of Limbs got the classic, "It's good, but no [fill in your fav' Radiohead album title here]."

But I have a theory about all three of these groups. They’ve spoiled us. That's right. With their musical, creative genius over the years our appreciation has waned. All three of these artists have produced such quality work for so long that we’ve grown accustom to them. The truth is, these albums, especially Beastie Boys and Radiohead, stand strong in comparison to all other releases this year.

Beastie Boys and The Roots clearly created albums that were far beyond what anything else in hip hop produced this year. Whether Lupe Fiasco or Lil' Wayne, most rap and hip hop releases this year were lazy. And why in the world does Kanye West and Jay Z get so much attention for such an unoriginal, self-absorbed work when these two albums came out this year?! While most rap and hip hop mimic the same studio tricks everyone else has been using for the last three years, Beastie Boys and The Roots continue to push boundaries. At the same time, they retain a sound that is unmistakably their own. I think they each offered strong releases this year.

And in the rock genre, only releases like Tune-Yards’ compares to the innovative work of Radiohead. For certain, we all have our favorite Radiohead album and their have been past albums of theirs that pushed musical boundaries HARD. Still, The King of Limbs is a consistent album that shows that these fellas make good music even when they're not trying to blow our minds. Some artists this year, such as Wilco for example, tried to return to some strong innovation but were unable to carry a whole album in that direction. When has Radiohead failed us in that regard?

So to these musical veterans, I say, "I Salute You, Sir." I hope they continue releasing such quality work. 

2011 Music | Local Love

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San Diego remains a vibrant place for good music. Some of favorite bands of all time come from America’s Finest City... And, no, I’m not at all biased. But this year, Adams & Eves, The Tree Ring and little hurricane are the only San Diego bands on my list. Much of this has to do with the fact that I’m a dad of three. I just don’t get out to as many shows as I used to, unfortunately. But these albums are solid and stand solidly with the others on my list.

Adams & EvesDear Professor is smart, cute--even silly, and brilliant. Okay, I confess my bias, here. The Powell’s (Adam plays guitar and sings, Chelsea plays bass) are friends and Adam recorded the Snake Babies EP (a short-lived band I played in). But my personal connection aside, this is a great album! Amongst all the folk-tinged music coming out these days, Adams & Eves do so in a unique way that does not take themselves too seriously--which makes all the more enjoyable. Like so many artists, it is their live show that wins you. They are all together original, energetic and witty when playing live. The album is solidly produced, displaying all of the unique instrumentation this band holds. You can check out the album on their website.

The Tree Ring’s Generous Shadows offers up beautifully sad soundtrack. Ironically (as they are a band from sunny San Diego), they are to me the band perfect for a rainy day. West has a solidly good voice. I think his is what Foreman of Switchfoot fame wishes he sounded like. And Bennett’s strings add so much to the emotion of each track that I don’t what it would sound like without them. You can listen to their album on the band’s website.

Lastly, little hurricane’s Home Wrecker is the roots rock album we’ve all been waiting for. Jack White, take note: this is what happens when you have a decent drummer. This is some sexy, gritty music! Both players sing wonderfully and play well. You can check out Home Wrecker on Spotify.

guest music post: Luke Perkins

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NOTE: You can listen to Luke's play list on Spotify here. He has also included his own links in the post.

This is truly the most wonderful time of the year. If you let it be. The stress, the cramming, the things I forgot about, trying to figure out what other people like. Obviously I'm not talking about Christmas shopping...I'm talking about the end-of-year music list! But why settle for just one list? This year in music for me contained several dominant themes, which I will try and briefly recount for you here. If you want one quick simple list...you've come to the wrong place.

First, ROADTRIPS. Alix and I have spent an awesome first year of marriage. Seriously. The word is abused but it's appropriate in this case. Awesome. Spartanburg sent us out with a bang and San Diego has treated us right. I am very grateful for the experiences we've shared and the places we've been together (and with our dogs). When we made the big move West last February, with 4 days of highway and 2314 miles ahead of us, we decided to make it an experiment in musical discovery. We each brought 4 albums from 4 artists neither of us knew, but wanted to learn. Although I haven't yet read Alix's list and blog yet, I'm pretty sure she's going to go into depth about this topic so I won't belabor it (please read hers too!). This musical education has already become a wonderful tradition, a great way to spend time together and engage in something for which we both share a passion. We repeated the exercise several times during 2011, and I can't wait for more opportunities soon. Here's my short list of favorite discoveries.

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  1. Flying Burrito Brothers: Burrito Deluxe. Graham Parsons and the Burrito Bros. make THE soundtrack to the mojave desert and Joshua Tree.
  2. Patti Smith: Horses. Just Kids was also the most memorable book I read this year. Very cool insight into the 60-70s music and art scenes in New York.
  3. Ibrahim Ferrer: Buena Vista Social Club Presents. Finally saw the movie this year. I'm looking forward to that roadtrip to Cuba.
  4. Sex Pistols: Never Mind the Bollocks... I will always think of driving thru Texas hill country when I hear this; makes sense, right?
  5. Television: Marquee Moon. You've heard this band even if you don't think you have; their sound influenced many that followed.
  6. Ali Farka Toure: The River. My first foray into African guitar music, which was a big part of my 2011 (following this would come Bela Fleck's movie Throw Down Your Heart, Tinawiren's new album, and Khaira Arby at SXSW).
  7. John Coltrane: A Love Supreme. Second step in jazz education, after Miles Davis+Dogfish Head Bitches Brew in 2010.
  8. Elvis Costello: Armed Forces. What IS so great about peace, love and understanding?!
  9. Fugazi: 13 Songs. A favorite of Jason and also my boss Mark (who's band actually opened up for Fugazi in Flint MI back in the 80s). Finally ventured there and it was worth it.
  10. Adam & the Ants: Kings of the Wild Frontier. Gotta listen to these guys more.
  11. Primus: Pork Soda. A Refshauge family classic. Wicked bass and themed on the excess of Americana. Scary title for even the most pragmatic of vegetarians.
Second, CONCERTS. I've seen more shows this year that's ever before. It's been super special having a partner in crime with Alix. My brother Grant even humored me and helped a dream come true by meeting me for an afternoon at SXSW. We've seen good ones, and not so good ones. Below is a list of the most memorable ones.
  1. Joy Formidable + WILD FLAG + Tune-Yards + Antlers + Colin Stetson  + Khaira Arby @ SWSW (with Grant): last-minute business trip led me to Austin right in the middle of SXSW--I promise it wasn't planned! Grant took a long lunch and joined me at the NPR showcase for a series of free shows. Being there at this mecca of indie rock and up-and-comers was a dream come true, and I'm super grateful to Grant for helping to make it happen. It's no coincidence that several of these bands made my final year-end list. Ritzy from JF writhing on the floor, banging on her pedals, swinging her guitar = #1 show.
  2. Okkervil River + Titus Andronicus @ Belly-Up (with Alix, Matt/Brooke): best double-bill of the year; was totally surprised by Okkervil's energy, and Titus did not disappoint..
  3. Dodos @ Casbah (with Alix, Matt/Brooke): most hipsterish show of the year, but despite that a favorite; never-ending guitar solo with dude wallowing on the floor for about 10 min was quite memorable.
  4. Wye Oak @ Casbah (with Alix): powerful and surprisingly nerdy duo with good melodies and powerful chords.
  5. Bon Iver @ Spreckels (with Alix, Matt/Brooke, Lars/Bethany): beautiful venue with very tight seats for long legs. Big band, big sound, and big changes for Justin Vernon & co. They pulled it off. Favorite moment was Re:Stacks...closest I came to crying at a show this year.
  6. F****d Up @ Casbah (with Matt): my first hardcore show. Fun. Last minute tickets for both Matt and I to blow off some steam. Matt also left with bloody toes. Lesson: don't mosh barefoot.
  7. Devotchka @ Belly-Up (with Alix, Matt/Brooke): danced my face off to the siduki and trombone.
  8. TV on the Radio @ 4th & B (with Alix): strong show in a not great venue. Sound was the worst of any show this year--muffled and way too loud. A little sound engineering please! A lasting memory is Dude throwing his double-jointed arm around like a nunchakus, like he just didn't care.
  9. BB King @ Belly-Up (with Alix and work friends): the man, the legend, in a great intimate venue. He's 73 or something, and obviously not as sharp, but it was amazing to experience him live.
-1. Thurston Moore @ Casbah (with Alix): sonic youth is obviously awesome, and I enjoyed his record this year. But this show went downhill in a hurry. Jerkwad next to us wouldn't stop recording the show with his flip video and then his iPhone. Lame. I don't give a hoot about watching your crappy youtube tomorrow! Are you here to watch the show or what? Didn't help that Thurston was a bit of a pretentious hipster. We left early.
-2. Explosions in the Sky @ SOMA (with Alix): didn't really know these guys, but thought I'd like them, and still think I would. But SOMA is a horrible venue, and they were destructively loud. We forgot our earplugs in the car, and after three exceedingly painful 3 songs we bailed. Opportunity costs...

Third, ALBUMS. I love albums. Whole albums. The flow, the cohesiveness, the intentionality. Shuffle is fun sometimes, but mostly I listen to whole albums, front to back. In 2010, inspired by Alix, my cousin David and the general desire to be more "analog" I went vinyl. 


This year we continued this trend, which was complemented by NPR's First Listens, and Spotify. I'm a firm believer that you get way you pay for, and if you value or cherish something you should pay for or invest in it (money is not necessarily the only currency here, but that's another topic). Picking this year's favorites was especially hard with a lot of good music. I hate leaving some off the list, but you gotta make hard decisions in life. Worth noting is the unusually large number of females on my list this year...coincidence? There were lots of surprise bands in here for me too: at the start of the year, 5 of these I could've predicted with the rest totally from out of the blue, including 4 out of the top 5. Without further ado, here is my list of favorites.
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  1. Joy Formidable: The Big Roar. Could not stop listening to this, it was on repeat in the car, at the office, at home; worked for just about any mood. I saw them 2x live. My favorite album and my favorite shows. Period.
  2. The Dodos: No Color. Their best album, in my opinion, after a middling second one. Start to finish greatness. Banging rhythms, infectious licks, shouting, melodic singing, grungy guitars. Heck yeah.
  3. Wye Oak: Civilian. When Alix pulled a record out for us to listen throughout the year, it would more often than not be this one. I was never disappointed when she did. Could easily be #1 in some years.
  4. WILD FLAG: Wild Flag. Strong women, strong tunes. If Alix were playing guitar in a band this would be it. I just can't figure out if she's more the style of Mary Timony or Carrie Brownstein.
  5. Kathryn Calder: Bright and Vivid. Poppy and artistic (yes it's possible FM radio people). Loved the sounds and layers in this album. A good stand-in for Neko and New Pornographers this year. Rarely tired of this on repeat.
  6. Bill Callahan: Apocalypse. Smart, folky, rocky, chill. This guy is always under the radar but I consistently love his stuff. Don't spoil my little secret. (Not on spotify, but here's a pretty cool video for your pleasure.)
  7. Tune-Yards: W H O K I L L. Eclectic and surprisingly fun.
  8. Bon Iver: Bon Iver. That cabin in the woods is long gone. Love it or hate it. Big amazing sounds. I have no problem with evolution.
  9. Stephen Malkmus & the Jicks: Mirror Traffic. The godfather of indie rock remains a uniquely talented artist. His best work since Pavement?
  10. St. Vincent: Strange Mercy. Really jonesing to see her live. If Alix had said "no", Annie Clark would've been my next choice (until Neko puts out another record). Good thing Alix said yes.
  11. Alexi Murdoch: Towards the Sun. Spent hours listening to this on the couch with Alix after moving to San Diego--great memories of our first days of marriage, mancala games...and boxes everywhere.
  12. TV on the Radio: Nine Types of Light. Catchy record, slightly less loved than their previous outings. But still pretty darn good.
Honorable mention: King Creosote & John Hopkins: Diamond Mine. This one's on a lot of people top 3 list, and the only reason this isn't on mine is because I just now started listening to it. Too amazingly simple and beautiful to leave off. This became the soundtrack of my December commute and will be a mainstay thru 2012.

Good but missed: Fleet Foxes, My Morning Jacket, Radiohead, Abigail Washburn, Antlers, Okkervil River, M83, Tinawiren, My Brightest Diamond, Decemberists.

What I'm looking forward to in 2012: finally listening to the new Black Keys. NOT listening to Sleigh Bells' next one.

Thanks to all for a great 2011. 2012, you've got a lotta work to do. Since it's a leap year the deck is stacked in your favor. Can't wait to see what discoveries, experiences and surprises you've got in store. Bring it.

people profile: Matt Reece

Before the year is up I am going to share one more guest music post, and of course, I will share my own year-end list as well. But I realized that some of those that read my blog may not be familiar with some of the people I've asked to share their music lists. This is purposeful for a couple of reasons. First, I decided to do this as an extension of music conversations that already exist in my life, not to boost traffic to my site. I wanted to document the music being shared somehow.

Secondly, I'm a bit of a music snob. What I mean is that I'm pretty opinionated about music. I'm okay with people and their particular tastes in just about anything but music. I don't care what sports team you like, what your favorite food is, what movie genres you prefer or how you dress. But I'll tell you if I think you listen to crappy music. Those I've invited to share are people whose taste in music inspires me, impresses me and has exposed me to new music. Most importantly, these are people I treasure. I am wholly proud of my friends. And I'm happy to share this space with them.

Thirdly, when I went into ministry more than a decade ago I realized that there weren't too many church leaders that liked the music I did. I wasn't a jock or academic turned pastor. I was an artist, musician and music fan called to this work. So, the few people I meet with a spiritual kinship and similar interest in music were gold to me.

So, I decided to do "people profiles" on folks I think you should know, or that I at least want to document their unique work in ministry and/or opinions in music. Who knows, maybe I'll go outside of those categories eventually. These will be short interviews both playful and serious. The last guest post was from Matt Reece. So, I'm starting with Matt. Matt is co-conspirator with the Ecclesia Collective, a friend and digs good music. So, without further delay, let me introduce you to him...

Did you have a beard in high school?
Yes.  I played water polo and swam, so grew it out off season, during the summers of my Jr. and Senior year.  Basically looked like a long hair, bearded, grungy hippie surfer type… scary I know!

What’s your earliest music memory?
My earliest music memory is from being really sick as a child.  I had to be in the hospital a lot.  One of the only things that would calm me down is singing.  The song that worked the best?  ‘Amazing Grace.’

My next memory would probably be as a kid listening to AM gold radio on headphones, under the covers at night.  This eventually led to my first concert… The Beach Boys (after a Padres game), when I was 9 or 10 years old.

You’re not only a music fan but a musician yourself. Tell me a little about your background as a musician.
I play guitar and sing, as well as write songs.  I started in music pretty early, taking keyboard lessons and playing violin.  But I wanted to play rock and roll, so guitar it was!

I got really involved in music in church.  For a few years I was a music/worship leader, and spent most of college, at Point Loma Nazarene University, in touring choirs.

Then, what started as basically a garage band with my brother and a friend became a full-fledged band called Via Satellite.  We played sorta dreamy, melodic indie rock, starting back before that was ‘cool.’  I feel like it took a few years for people to get what we were doing… but we played out a lot, developed a bit of a following, recorded several albums, and eventually even received a San Diego Music Award.  Most of the band has gone on to be ‘rock stars’ and tour the world, most notably with Sub Pop band The Album Leaf.  I chose a more simple life I guess!  Since then I’ve played in the SD acoustic scene, and done various other things.

These days, it’s just me and a guitar… but I still play, and hope to have a new recording out there in the not-too-distant future.

I have lots of great stories and memories from music… shows big and small, and playing with some amazing musicians, even guys from bands you might have heard of (like, Mortal and Megadeth).

If you could jam with anyone, who would it be?
Hmmm… maybe, mid-sixties Dylan.  I would love to just be in the room with him when he was writing those songs.  Or I’d rock out with ‘London Calling’ era Clash, or maybe late 70s Elvis Costello and the Attractions.

In what ways does your musical interest or identity as a musician cross paths with your faith and identity as a faith leader?
For me, there are so many intersections between music, faith and leadership.  As a spiritual leader, I want to be an artist.  There are skills that come from the business world that one definitely needs.  But a big part of leadership, for me, is being able to articulate the heart of a people, as well as creatively look forward to where we need to go.  Now we’re heading into the territory of poets, artists and musicians.  And this is what the prophets of old did; they used poetry and symbols to call the community of faith into a preferred creative future.

And on another level… I remember when I was a kid in the 80s going to see a punk rock band, and my Mom being a bit nervous.  But when she picked me up, she was so surprised to see all the kids out front, peacefully hanging out and talking with the band.  Music, for me instinctively was something I wanted to not just observe, but try and do.  And some of the indie bands I loved showed me this was possible.  They tried to break down the walls between the ‘artist’ and the ‘audience.’  The history is well documented here.

So when I picked up a guitar, I almost immediately started writing music and started a band.  This DIY aesthetic has carried over into how I try to live my life and lead a community.  What we need, now more than ever, are communities that draw from the DIY punk rock aesthetic.  The culture of mega-churches with big budgets run by big celebrity personalities, is not only unsustainable, but has basically plateaued in impact.  No more passive religious observers at a big ‘glam rock’ stadium show, instead we need people passionately participating in their local ‘scene,’ like the old school indie rock stuff.

Tell me about Blvd. Abbey.
We are a faith community in the University Heights/Uptown San Diego area.  We’re called Blvd Abbey, because the area we’re in has a big vintage neon sign that says ‘The Blvd.’  And an abbey is a spiritual community that centers itself around intentional common spiritual practice.  We respectfully borrow a bit from that tradition, and want to help people all across the spectrum- from those who are spiritual seekers, to those who strongly resonate with the Jesus story- to be shaped by spiritual rhythms and practices that lean towards God, and God’s beautiful dream for the world.

We are small and very relationally structured, and believe faith community should happen ‘from the ground up.’  And we want to be a community that cares about our neighborhood and city.  We try to find simple/do-able ways to partner with the good that is already happening, as well as embody God’s love and grace where there is need.

We are connected with a unique church planting network called ‘Churches for the Sake of Others (C4SO).’  C4SO has started communities all up the West Coast and beyond that are; rooted in Anglican tradition, and both spiritual formation and missionally shaped.

Why did you want to start the Abbey?
A few friends and I started dreaming together, and they said ‘if you start something, we’ll join you.’  And it just kind of grew from there.

I have seen several things that we, as the church, have yet to truly take seriously:  1. Creating space for real community, 2. Spiritual formation (as a community, not just individually!), and 3. Seeing ourselves as a tangible expression of God’s love and mission in our neighborhood.  So, for me, Blvd Abbey is really an experiment in community… trying to take all of that seriously, and start there- structure a community around that- before all the stuff people think of as ‘normal’ church.

What are your dreams for the Abbey?
My hope and prayer is that we continue to do what we’re doing, and grow that even deeper, while building sustainable community.

Ultimately I would love to be a community that holds two things in tension… First, to be a community that at it’s core is made up of ‘urban monastics.’  Though we don’t all live together, we all live in and care for the same area, and see all of our lives- work, play, relationships, compassionate action, creative endeavors- as spiritual and connected to a larger story.  And secondly, I’d love to be a community where we interact and build friendships with those who aren’t people of faith, and they say, ‘that community really, genuinely cares.’

I would eventually even love to be kind of a formation/training center.  To create space where leaders, or potential leaders, from other places can come for spiritual re-centering, to experience life in the city or how we do community, and maybe learn some practices they can take back with them.

How can people find out more about Abbey or get involved?
To find out more about us go to blvdabbey.com.
Join us on Facebook.
Every once in a while I post on our blog.

And to find out where we meet and get involved, email me: matt@blvdabbey.com

guest music post: Matt Reece

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NOTE: You can listen to Matt's play list on Spotify here.

Best Albums of 2011

2010 was a big year for music. Off the top of my head I could easily list half a dozen amazing albums… from the hardcore punk classicism of Off!, to the beautiful songs of Frightened Rabbit, the tension groove of Spoon, the strange beauty of Deerhunter, the noise pop of Sleigh Bells, and soul and hip hop by The Roots and Kanye.  This year… maybe it’s my mood, or maybe I wasn’t listening as well, but it was a little harder to choose.  Looking through my Itunes and Spootify playlists however, several stood out.  Here’s my top ten, in no particular order.
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1. The Dodos- No Color
Just two guys, guitar/vocals and drums. Featuring tight junkyard African influenced rhythms.  And for guitar players, listen closer, there’s some good stuff going on.  The musical interplay between these two here blows me away… And all of this with (most importantly) great melodic indie/punk songs.  If my list were in order, this might be right where it is now, at the top.

2. David Bazan- Strange Negotiations
I’ve been a fan since the early Pedo the Lion days.  His last album was a ‘break up with God’ masterpiece.  This one is a bit rawer and more striped down, and a few songs remind me of Pedro.  Great lyrics paired with Neil Young meets Fugazi music.  Bazan playing with just an acoustic guitar, in front of a select few at The Habitat House, was one of the shows of the year for me.  True story: several years ago I had Thanksgiving dinner with David and his extended family… I remember talking about both of our favorite recent movies (Memento and Magnolia, so that will date me!).  

3. Radiohead- The King of Limbs
I’ve been a Radiohead fan from back in the day, and seen them live several times.  I have to admit, this is one of the first Radiohead albums that was a grower.  But King of Limbs has been slowly unraveling for me, revealing it’s dark slinky beats and even some left-of-center yet tuneful songs underneath (like ‘Little by Little,’ ‘Codex,’ and ‘Give Up the Ghost’).

4. Ry Cooder- Pull Up Some Dust and Sit Down
Protest album of the year, including the protest song of the year, ‘No Banker Left Behind.’  Rootsy Americana spiced up with Vaudeville, and Tex-Mex flavors.  With great guitar (this is Ry Cooder, after all) and a soulful carnival barker voice, Cooder comments on the state of the nation in 2011.  From bank bailouts and economic disparity, to immigration and war, it’s all here.  But this is no mere political lecture… or if it is, it is the most passionate and fun I’ve heard in a long time.   

5. Thao & Mirah- s/t
Two solo artists come together, and it works surprisingly well.  Great grooves and I dig the vocal interplay.

6. Wilco- The Whole Love
It’s Wilco, what can I say?  Their albums usually end up in my top 10.  At this point, you either like ‘em or you don’t!  ‘The Whole Love’ seems like the distillation of their last several albums in one:  Folky, melodic, experimental rock.  Except this time I hear more of the Beatles influence coming out.  And if you haven’t caught them live yet, probably one of the best live bands in America, no joke.

7. F****d Up- David Comes to Life
In a year where I’m hard pressed to name many albums that really RAWKED me (and no kids, the Foo Fighters don’t count), the band with the name you can’t say on the radio did just that.  I thought their last album, ‘The Chemistry of Common Life,’ was a genre game changer.  Their latest has some story line that I can’t really follow, but it doesn’t matter.  These guys are post-hardcore punk geniuses; mixing buzzsaw-yet-often-layered-and-ethereal guitars, an amazing time signature bending drummer, with shards of glass shredded vocals by a shirtless angry bald guy.  In my alternate universe, this is what people would mean when they say ‘pop punk.’

8. Mariachi El Bronx- II
A hardcore band that plays Mariachi music?!  Way better than you think it would be.  This album was one of my top summer jams.  Saw them live, and they’re just as fun, dressed in legit Mariachi outfits!  If you like this, then check out their last one too.

9. Dead Rock West- Bright Morning Stars
Former San Diegan (Loam) Frank Lee Drennen and spouse Cindy Wasserman (yes, sister of renowned bassist Rob Wasserman) conger beautiful, sparse, Americana rock.  Most of these are old country gospel tunes and spirituals re-imagined by the band, with a few of their own, and even a Jesus and Mary Chain cover (‘God Help Me’) thrown in.  This was produced by Peter Case of The Plymsouls, features both John Doe and Exene from legendary punks X, and great vocals and harmonies from Frank and Cindy.  Full disclosure, my old band played a show with these guys, and Frank recorded some amazing harmonica on one of our songs… so I may be biased, but still, I dig this album.

10. Kurt Vile- Smoke Ring for my Halo
Smoke Ring for my Halo is a beautiful, strange haunting-yet-joyful (sorta) low-fi masterpiece.  This is great late night ‘chill’ music.  Maybe Kurt Vile’s most fully realized album yet.


Honorable Mention

The Roots- Undun
Just recently released, so haven’t really had time to hear all of it yet.  But the Roots are a consistently amazing band, they always deliver.

The Violet Burning- The Story of Our Lives
Over twenty years into his music career, Michael Pritzl comes out with an artistic-statement-making triple album!  Still doing what he does really well.

Action!- Friends Weakend
This is technically a 2010 release, but not enough people are into them yet, so I’ll include it here.  This husband-wife duo makes great dreamy, melodic, lo-fi indie-rock, with killer harmonies and creative arrangements.  One of their best songs, ‘Sandpiper,’ is free on bandcamp, but I love the whole thing, and even have it on vinyl.  Support (real) indie bands… go buy their music!

Waiting for the (un)King: Advent Week Four

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While we wait, we prepare.

This last Sunday's Advent readings have a lot to say about houses. There is an over-arching sense of preparation; getting our "house" prepared for what is to come.

We love having people over at our house. My wife is an incredible cook and we really enjoy getting to know others over meals in our home. But with three kids and a busy schedule, whenever we do host people we usually spend a couple hours cleaning up the messes we've spent all week making around the house! While we wait for our guests, we prepare for them. But sometimes when we rush and fuss over things we find it difficult to unwind, decompress and really present to our guests once they arrive. Have we then prepared appropriately?

The scripture readings seem to allude to something like this as well. We are to be making things ready for the arrival of the King. Yet, in our anticipation do we prepare the right things in the right way? All throughout these reflections, I've pointed out that the (un)King comes in unexpected ways, in unexpected places. This naturally means that Christ comes with hopes different than what we may have anticipated. Does he come looking for splendor and magnanimous reception. Nope. Read the story as told in Luke 2.8-18. His Father brings those things to the party. Not us. Rather, he comes to those that have prepared through the practice of humility and availability. Maybe not intentionally or desired. Certainly, shepherds probably would've preferred less humble and mind-numbing work. But these are who had prepared, who were ready.

What does preparing our "house" mean, then? Maybe it means we cease comparing ourselves, our house, to everyone else's and be the house of our own that we are. Throughout these Advent readings from Sunday, scripture does not concern or compare itself with other houses. Rather, it is concerned with preparing the home through which God will commune with his people. In a rushed and hurried culture, in an even more frenzied season, maybe it means we slow down, make space and practice availability. Maybe it is then that we will truly be able to notice, to appreciate, the coming of the King we await.

In your anticipation this week, practice availability and see how God arrives.

unexpected early xmas present, complete w/ a chpt. by my prof' Dr. Downes


Taken at Hawthorn House

1st single from the new Sleigh Bells album

Below is the first track to be released from the upcoming Sleigh Bells album Born To Lose. What do you think? Our house is divided. The first Sleigh Bells album had us all hooked; a family fav'. Paige and I aren't that into this track and hope the sophmore release has a lot more to show. Matt likes it but he admits to just liking it because its Sleigh Bells. Paige and I think he likes it because of how "metal" the track is... and Matt's a complete hessian-in-training.

what we can learn from occupy « dontbesheep

There’s something to be learned from the Occupy Movement for people in leadership across organizational types and sizes. There is something about this movement that speaks to postmodern milieu of the West. But it is not limited to the west at all. Indeed, the occupy movement certainly derives some inspiration from the Arab Spring, as well as what we’ve seen online through groups such ‘anonymous.’ The way we organize is changing. What I’ve referenced to above may be drastic examples. Still, leaders ought to pay attention to them and what they say about leading organizations of the future.

Some further thoughts of mine on the Occupy Movement can be found in this excerpt from my latest contribution to the Don'tBeSheep.com blog. Read the rest here.

Read my initial post on #occupy here.

the devaluation of music

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Radiohead and Spotify are busy teaching us that, as consumers, we aren't responsible for compensating our artists. In fact, we're being conditioned to feel inherently entitled to the fruits of their labor.

Interesting article on the impact of de-commodification of music.

What do you think?

out and about, come say "hi"

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I'm going to be speaking at a few places in the next few months. If you happen to be at any of these, please come hang out and say "hi!"

I've added these to my public Google calendar as well. Hope to see you.

start 'em young


Taken at Hawthorn House

Waiting for the (un)King: Advent Week Three

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NOTE: Sorry for being 24 hours late this week. Yesterday was... full.

Like most of the passages read during Advent, there is something about them that says, "Something good is coming!" Indeed, that is certainly the case. But He who is to come, comes in the most unexpected of ways. And He comes with expectations upon us that often are unexpected as well.

One of the readings this week is from Psalm 126. It cries out for restoration. Restoration of what, though? The psalm longs for the restoration of fortunes. Uh oh. Is this some kind of "health and wealth gospel" nonsense? Are the people of Israel, in this prayer, asking God to secure a certain lifestyle for themselves?

I don't think so.

In verses five and six it reads, "Those who sow with tears will reap with songs of joy. Those who go out weeping, carrying seed to sow, will return with songs of joy, carrying sheaves with them." This psalm is prayed by a people longing for basic sustenance. They walk with seeds out to the fields prepared for famine. But they long to feed their people.

This isn't an individual thing. This is a communal thing. Those who prayer this long for the sustenance of their people, not just themselves. But while the need is for the whole, it is neither the whole nor the individual that provides what it is needed. This prayer (for that is what this psalm is) is prayed next to the reading of Isaiah 64 in which God brings justice to the weak and broken. (Jesus would later read this same passage from Isaiah in a synagogue to commence his ministry.)

The people of God, here, realize that they cannot bring the restoration needed on their own. Only God can. Certainly, they are to participate in his justice, his mercy, his restoration. But they know that it cannot be done without God.

Thus, in the end, Advent is about a kind of waiting that is reflected in how we live. We Christians do not seek our own benefit, we consider--and prayer for--the whole. And this is reflected in how we live. Our fortune are not for the benefit of one but for the sustenance of the whole. In so doing, we reflect our hope. A hope in a Savior that will restore all things and not just the little we can do in our life time.

So, this Advent may your waiting be reflected in your living... in your lifestyle.

guest music post: Alix Refshauge

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NOTE: You can listen to Alix's play list on Spotify here.

2011 offered a lot of change, and boy did it deliver. A year ago I was living in my hometown of Spartanburg, SC, working my face-off for a small non-profit that I loved, surrounded by friends and family, and in a long distance relationship with my now-husband who lived in San Diego. Today I too live in San Diego, I work from home (I make art for a living, although I don’t really get paid), my family and closest friends are far away, and I get to see my husband everyday. It’s quite an adventure. 

Music has always been an integral part of my life. It’s been a huge bonus to be married to a man who approaches listening to music with as much passion and dare-I-say pride as I do. A big part of our relationship has been about discovering and listening to music together. While music has always shaped my life, it wasn’t until I met him that I started making playlists. What a great way to reflect on the year and to intentionally reconnect with the music that makes up our annual soundtrack.

Like my overall lifestyle, my way of finding new music has changed. In the past, I relied on one of the greatest listener powered radio stations in the US to find new music. WNCW out of Spindale, NC offers some of the most diverse and quality music programming I’ve come across. I would listen at home, at work, in the car, and after hearing a song that caught my attention, I would track down the artist to hear more. I’ve found that I only stream WNCW now when I feel sentimental. Instead, I often turn to NPR.org and see what they’re promoting as a first listen. It feels like less of a discovery somehow. Another big change has come thanks to Spotify which has enabled a lot of desired listening and discovery, especially during roadtrips.

I don’t want to dwell on 2010, because this post is about 2011. But, I believe that a very important tradition was born in 2010 when I made my first end of the year and decade playlists and my husband and I listened to these songs on our Christmas roadtrip. He was living in SD but flying to Mississippi to see his family. The plan was for me to drive to Mississippi to see them and then for the two of us to drive back to SC together. The roadtrip was 8 hours, filled with songs that made up our 2010/decade playlists and the stories to go along with them. It’s a great way to hear stories about someone you might not otherwise, and to get to tell a few of your own.

Now, back to 2011. After getting married in January, we packed up my house in SC and my husband and I drove to SD. It was a four day trip and we planned an epic soundtrack for the drive. Our approach was to each choose four albums (one for each day on the road) by an artist who we wanted to get to know for some reason. The artists/albums had to be new to us and something that we thought the other hadn’t heard either. We’ve been on several roadtrips throughout the year and have continued this tradition - one new album per person per day on the road. We toss the album names in a hat and draw to see what we listen to next. We’ve discovered artists who we love and have learned about the time and places they were making music. It’s been a music education and one I hope we continue throughout the years. 

Now for my playlists, (lists because I’m gonna give you two): my 2011 new releases playlist and my pre-2011 music education/roadtrip playlist. I’ll keep it to a couple sentences each for why they made the list and hope if you’ve read this far that you’ll be able to continue to the end. Now, without further adieu...my playlists for 2011:

2011-alixmixtape

2011 Releases Playlist
10. Kathryn Calder, Bright and VividNPR find. This is a solid album all the way through - dreamy, campy, melodic. A good drive-down-a-country-road album if you like that sort of thing. 

9. Alexi Murdoch, Towards the SunNPR find. This is folky, slow guitar pickin’, Nick Drake reincarnation, goodness. Try it with a glass of wine on the couch with the one you love.

8. Bill Callahan, ApocalypseVinyl purchase. I love Bill Callahan’s lyrics, as Bill Callahan and as Smog. This album is clever and curious. Short though so if you go vinyl, don’t sit down.

7. Kate Nash, Made of BricksI discovered Kate Nash (meaning that after hearing a Kate Nash song somewhere I knew I wanted to hear more!). It surprises me how much I love this album considering two things: 1 - it sounds a lot like Regina Spektor (who I do not like) and 2 - the lyrics are all about hatin’ on her man (which I also don’t like). This album beat all odds with me, I like the piano and the sound of her voice; this is a good dance around the house album.

6. The Dodos, No ColorLuke introduced me to the Dodos and I liked them okay until we saw them at the Casbah. Yeah! These hipsters have more energy than most. If you’re looking for something fun, drummy, and energetic, look no further.

5. St. Vincent, Strange MercyVinyl purchase. I like this whole album, every single song. The songs are fun, lyrics are catchy, and its a bonus that St. Vincent shreds like its her job. Which, I guess it is.

4. Bon Iver, Bon IverVinyl purchase. This is just a beautiful album. It makes me wanna cry. His voice is so versatile, you would never guess he was a lumberjack.

3. Wye Oak, CivilianNPR find. This two-person band is intriguing - he is a Nerd who can seriously rock out on the drums, she is a bleached blondy who whales on the guitar and has a haunting voice. This has been a go-to record for me all year and may make the decade list in 2020 - check back with me.

2. Joy Formidable, The Big RoarSXSW find. There are some bad-ass women playing music out there right now! For reals. A few of the 2011 albums make me wanna travel back in time and pursue rockin’ out with a vengeance. The lead singer/guitar player for Joy Formidable is at the top of that list. If you haven’t seen her, go to YouTube, now. This whole album is fun.

1. Bonnie ‘Prince’ Billy, Worlfroy Goes to TownVinyl purchase. This album is number one for me this year. It’s as beautiful and dark as you might expect from BPB, it will kill the mood fast. The tunes are melodic, the tone drab, except for in “Quail and Dumplings” where you get to hear Angel Olsen sing. Her Voice, ma gawd, it is lovely. So, sit down and listen, read the lyrics while you do, you’ll think about them later.

2011-alixroadtripmixtape

Music Education/Roadtrip Playlist:
10. Sex Pistols, Nevermind the Bollocks1977. Alix choice SC to SD roadtrip. This was our first introduction to UK punk rock and the overwhelming influence of this band. Johnny Rotten lives up to his name. 

9. John Coltrane, Love SupremeLuke choice SC to SD. This album is not higher up on the list because we really haven’t listened to it as much as I would have thought. This was a great listen on our adventurous trek to SD and one that we’ll revisit as our jazz education continues.

8. Fairport Convention, Unhalfbricking1969. Luke’s choice SD to Vegas roadtrip. Iphone battery died too soon so this became a vinyl listen at home. 

7. Primus, Pork Soda1993. Alix choice SD to Santa Barbara roadtrip. Historically, I like the funk, the quirk, and the skills of Les Claypool. This album is all that and a can of pork soda. 

6. Tom Waits, Small Change1976. I’ve listened to Tom Waits in the past but was inspired to reconnect with him after listening to a Radiolab podcast that talked about how he finds inspiration to write music. The man is from SD too so, seemed like the right thing to do.

5. Ibrahim Ferrer, Buena Social Club presents2001. Alix choice SC to SD. Traveling to Cuba is on our bucket list. While listening to this album I have visions of drinking cuba libres on the beach, of my hair blowing in the wind whilst riding around in a pool blue 1958 Ford somethin'-or-other, and wearing an overly revealing dress in a jazz club in Havana.  

4. Patti Smith, Horses1975. Alix choice SC to SD roadtrip. I chose this after readingJust Kids - a must read. Horses is a classic too that will transport you to CBGB's in the 70's where you'll find yourself sitting next to Robert Maplethorpe and Andy Warhol, listening to Patti, anticipating the Velvet Underground, going to hang out with Jimi Hendrix later. That's why you should listen to this album.

3. Fugazi, 13 SongsAlix choice SD to Santa Barbara. I’ve heard so much about Fugazi, it was time to hear them for myself. We had fun listening to this album en route to Santa Barbara and its surprisingly good music to cook dinner to.

2. Adam and the Ants, King of the Wild Frontier. Alix choice SD to Santa Barbara. Something tells me I shouldn’t be putting Adam and the Ants above many of the others on this list. For starters, the cover of this album is a close up of the lead singer’s face which is covered in war paint and framed like a Topps baseball card circa 1980. The music is silly, Tarzanistic almost. To be honest though, this album gets a lot of play from me and this is where it truly belongs. 

1. Flying Burrito Brothers, Burrito DeluxeLukes choice SD to Vegas. Luke and I got married in Joshua Tree National Park which is coincidentally where the ghost of Graham Parsons (lead singer and FBB pretty boy) lives. We first heard this album on a roadtrip to Vegas - it’s a great desert soundtrack. Months later we found ourselves peering into the lobby window of the Joshua Tree Inn at the posters and t-shirts that commemorate Graham’s life that was lost there. I’ve enjoyed this album throughout the year and our connections to JT make it my number one.

Alix is an artist from SC who has about a year of San Diego livin’ under her belt. She and her rambunctious yellow dog moved to California in February after a long distance courtship ended in marriage. Currently she makes art from home, is developing her culinary skills, and exploring the many fine things this coast has to offer. 

Visit her paintings online at: www.AlixRefshauge.com
Her new artwork at: www.alixart.tumblr.com
And if you still want more: www.boccimomma.tumblr.com

Thanks to @MIHOgastrotruck for hitting up @FirstPresSD tonight! Good eats!

Diptic

jazz vespers @ first


Taken at 4th Ave. Chapel at First Presbyterian Church

lovin' the rock 'n roll stance Matty takes when receiving an award

2011 music

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As I've done in the past, I'm planning on posting my year-end list of music releases I enjoyed this last year. One of the best things about music is that is something we can experience together. I love sharing music with friends and getting exposed to new music through others as well. What I'm really excited about this year is that several of my friends have agreed to offer some guest mixtapes of the year here on my blog.

Stay tuned!

In the meantime, check out Anthony Smith's year-end list.